So imagine this. You’ve been tasked by a major TV Network to promote an animated series with a guerrilla marketing campaign. Your idea is a winner, and involves you sending some electronic devices (that resemble a character from the Aqua Teen Hunger Force) to several major cities so that some hired help can place them in places that have a high footfall.
Then you wake up on the morning of day one of your campaign to hear that a member of the public has spotted one of your devices and thought it weird enough to report it to the police. The police then call the bomb squad asking for help in identifying a device. They then shut down part of a major highway and the public transportation system while they disable what they think is a bomb with a smaller explosive filled with water.
I love billboards. It’s the huge format that captivates me. They’re like giant canvasses placed in the city or at the side of a busy road that scream ‘look at me!’ but only for a few seconds otherwise you may walk into a lamppost or drive into the back of someone else’s car.
Over the years I’ve seen some stunning billboards that have had me turning green with envy. The best ones are those that have words and pictures that work together in such a clever way that they catch the viewer’s attention, communicate quickly, and stay with them for a few miles down the road… and ultimately stick in the back of their mind for a lot longer.
As we all know, in any relationship, it’s the small things that matter. Yet what many people don’t realise is that it’s not only in our personal relationships that small things can have a big effect… they can also have a similar result in the relationships marketers, brands and companies have with their customers or business partners.
And why do small things matter? Well, as anyone who has ever bought a girl flowers knows; something small but effective can have a kind of result that is absolutely out of proportion to the cost.
When I was a kid I had a friend who lived next door whose dad was in the Territorial Army. The best thing, as far as I could see, about having a dad in the Territorial Army was that he would come home on a weekend in an old Army Land Rover… an Army Land Rover that was perfect for firing-up our boyhood imaginations.
You see, this was not just any Land Rover in our eyes… it was a Nazi Land Rover! A Nazi Land Rover carrying the Ark of the Covenant to a secret lair where it would be opened in some bizarre ritual. Cue then lots of walking down the side, sliding underneath and jumping on top of this battered old vehicle as my friend and I took it in turns to be in intrepid archaeologist… Indiana Jones!
Before I start this blog, I’ve set myself some ground rules. Simply because I know there are lots of blog postings, articles and galleries on the web dedicated to really funky and creative business cards. There is nothing wrong with these cards… it’s just that one of my biggest niggles about fancy business cards is that they don’t fit in my business card holder, or my wallet for that matter!
Ok that may be a bit old fashioned of me. But I like my business card holder. It serves the lovely purpose of holding lots of business cards that I can flick to in an instant. The only problem with it is that if the card is larger than 3.5 × 2 inches… I have to get the scissors out, or it just gets lost. And until someone invents a business card app for my iPhone, I’m going to stick to paper.
About six and a half years ago I gave up smoking, having smoked for well over ten years. Giving up was one of the hardest things I have ever done in my life, and I take great pride in the fact that I did it without the help of plastic cigarettes, patches or funny-tasting gum.
To a certain extent I quite miss smoking. I used to love the chats that I had with Jim, Neil and Nick in the dingy smoking room. I used to love lighting up after a really good meal and savouring the tobacco with a coffee or Cognac. More than anything, though, I loved the advertising… that was until the Labour Party introduced the legislative bill known as the ‘Tobacco Advertising and Promotion Act 2002’.
At Red C, as well as juggling our busy schedules, we have a number of Creative team projects and initiatives that bubble along throughout the year. These include filming and editing video case studies to researching search engine optimisation. This time around, our team got the tricky task of generating new business opportunities with our current clients.
Finding new business avenues for clients sounds easy, but there are lots of things you need to consider. Identifying potential oportunities requires a deep understanding of a brand and the directions in which it could and would want to expand. And that’s just for starters. On top of that, it has to be financially viable, fit in with wider brand and marketing strategies and be measurable in terms of return on investment.
Several years ago my art director and I devised a campaign for Rolls Royce that we called ‘whispers’. The campaign was created in reaction to the belief within BMW Innovations (which ran the marketing for Rolls Royce) that Rolls Royce did not need to advertise due to the prestige nature of the brand.
Our ‘whispers’ campaign went like this. We had a new Rolls Royce Phantom that would basically be seen in all the right places. From Yacht Clubs in the South of France, to events around the world held at prestigious places where only the very A-list people would be seen.
A couple made-up of an older gentleman (think George Clooney look-alike) and his younger gorgeous model-like wife, would pull up for lunch at a Yacht Club or attend a party. They would be allowed to leave their Rolls Royce Phantom outside the front entrance or in the near vicinity… before walking into the party, enjoying themselves and then driving home.
Last year, like many brands and organisations, London Fashion Week flirted with Social Media by having event details, links to stories and comments posted on Twitter and Facebook… so far so very 2009!
This year, though, sees London Fashion Week take a great leap forward by embracing even more Social Media technologies and making London Fashion Week open to the masses rather than the privileged few… and they’ve done it in some predictable and also some surprising ways.
Shirley Polykoff is a legendary advertising personality whose copy revolutionised both the fortunes of Clairol and the lives of women in 1950s America.
A ballsy girl from Brooklyn, Shirley battled her way up the ranks at Foote, Cone & Belding agency from the position of junior copywriter to vice president and creative director, to finally, inductee of the Advertising Hall of Fame. On her way up, this flamboyant and brilliant woman gained a reputation as ‘a dynamo in selling and advertising’, with her copy for Clairol hair dye famous not only for its explosive cultural and commercial impact but also for persuading David Hockney to go blonde.
So imagine this. You’ve been tasked by a major TV Network to promote an animated series with a guerrilla marketing campaign. Your idea is a winner, and involves you sending some electronic devices (that resemble a character from the Aqua Teen Hunger Force) to several major cities so that some hired help can place them in places that have a high footfall.
